Its most famous number is the soprano aria “Meine Lippen sie küssen so heiß,” sung by the heroine in the fourth tableau after her love affair with the tenor has run its course. The fizz went out of the cocktail, and “Giuditta” disappeared. After the Anschluß, its two box-office stars Jarmila Novotna and Richard Tauber left Vienna. It used a large orchestra and received a big send-off: 120 radio stations broadcast the 1938 premiere, and the show got 42 performances in its first outing. “Giuditta” was as close as he came to a grand opera. Like Offenbach, Lehár longed to write a serious work, one without the usual happy ending. In the meantime, we can still float on the cream of Lehár’s music, which evokes erotic heat with the best of them. The ethos of these works may have passed their use-by date, though some clever stage director may once again find a contemporary relevance in them. I have seen only one of Lehár’s pieces onstage, the ubiquitous Merry Widow which I used to call The Merry Window because I found it so empty. Once hugely popular, these old-fashioned operettas have largely faded from view. His stage-works create a world of unmarried blonde women, tenors whose lasciviousness skirts the overtly creepy, and a passel of supporting players who are usually less wealthy and less Viennese. When it comes to high-calorie, high-fat romance, there’s no one quite like Viennese operetta icon Franz Lehár. The performance is also played by the Russian language.The final group of songs in Act I of “ The Art of Pleasure” is simply called “Romance,” and that gave me an opportunity to program the steamy duet “Schön wie die blaue Sommernacht” from Lehár’s Giuditta. The duration is two hours and 20 minutes. The performance is also played by the artists of the ballet, choir and orchestra. Kyrylo Baskovskyi, the Distinguished Artist of Ukraine Arsen Kurbanov The Honoured Artist of Ukraine Liudmyla Makovetska, the Honoured Cultural worker of Ukraine Zoia Kravchenko The Distinguished Artist of Ukraine Serhii Naumov, the Distinguished Artist of Russia Anatolii Pidhorodetskyi The Distinguished Artist of Ukraine Valentyna Donchenko- Butkovska, Oksana Prasolova The Honoured Artist of Ukraine Valentyn Rozhkov, the Honoured Artist of Ukraine Oleksandr Trofymchuk The Honoured Artist of Ukraine Mykola Butkovsky, the Honoured Artist of Ukraine Oleksandr Kravchenko The Honoured Artist of Ukraine Serhii Pavlinov, the Distinguished Artist of Ukraine Serhii Avdeiev The Honoured Artist of Ukraine Iryna Lapina, the Distinguished Artist of Ukraine Iryna Bespalova- Prymak The Honoured Artist of Ukraine Serhii Bondarenko, the Distinguished Artist of Ukraine Serhii Melnychenko The Distinguished Artist of Ukraine Hanna Dovbnia, Valeriia Tulis Production director, scenewright- laureat of Taras Shevchenko National Prize, the Honoured Artist of Ukraine Serhii Smiianīand director- the Honoured Man of Art of Ukraine Vadym PerevoznikovĬhoreographer- the Honoured Artist of Ukraine Oleksandr SehalĬhapel master- the Honoured Man of Art of Ukraine Volodymyr Vorvuliev Dramatis personae : GANNA GLAWARI. She does not suspect that she has started being hunted, more precisely, the millions that her husband-banker left as a legacy. The young charming widow, Ganna Glawari, the owner of a multi-million dollar wealth, comes to Paris. “ The Merry Widow” is a witty story about love and big money. The operetta has been filmed in different countries many times. “The Merry Widow” is rightly called “Operetta Queen” : during 5 years from the premiere the performance was shown more than 18 thousand s of times in 430 theaters of the world. The premiere of the performance took place in Vienna in 1905 and gained immediately the love of the artists who were lucky to play parts in it, and the enormous popularity among the spectators. This operetta is over 100 years old, but it does not lose its relevance and attractiveness. But it was “the Merry Widow” that brought him the worldwide fame. Lehar wrote many interesting operettas over the course of his life. The Vionnese operetta outstanding classicist F.
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